Showing posts with label having a musical theatre moment. Show all posts
Showing posts with label having a musical theatre moment. Show all posts

Nov 11, 2011

The Muppets On Being Misunderstood

ItAintEasyBeingGreen

So the new muppet movie is coming out. I have mixed emotions about it. It's not like I think The Muppet Movie (you know the old one) is the best movie in the world or anything, but it's still a lot to live up to when you love Jim Henson so hard. I'm actually guest blogging here about that "crazy one" today on the Jennifer James blog devoted to Generation X. Because Henson, like Steve Jobs – he did change us.

I know saying you love Jim Henson is like saying you love Dr. Seuss or you love Shel Silverstein, I mean, duh. Who doesn't? (Though I do remember my best friend's mom not letting her read The Giving Tree because it had a misogynistic message or something like that.) But when it comes to The Muppet Movie of my youth, the message I always felt was that being something special... also meant being misunderstood.

Um, especially if no one can understand a word you are saying.

I actually feel like my compulsive need to be completely and thoroughly understood in my communication with other people comes from one very specific scene in The Muppet Movie that almost ruins the entire thing for me.

It's where Kermit and Fozzie pull up in that "movin'-right-along, bada-dum, bada-dum," old Studebaker to this used car lot where this mammoth sized brown shaggy monster with the huge orange nose (you know the one) is like the used car dealers slave, practically. And after he is done slaving away, like physically picking up cars and stuff like that, Kermit asked if he wants to go to Hollywood with them. And he gets even bigger-eyed (if that's possible for a muppet) and runs off. And Kermit and the bear are like, "oh well" guess he didn't want to come along. And they drive off.

Uh. Kermit. Dude! He was getting his suitcase! He ran off because he was so excited and speechless (plus he can't talk) that you were about to release him from a life of back-breaking servitude!

This monster then heartbreakingly follows the trail of the "starring" muppets through the rest of the movie, just barely missing every adventure. But it's supposed to be just this humorous sidenote. To six-year-old me, it nearly ruined the whole movie. Like it made me so upset I could barely take it. I wanted to scream at the screen "it was just a misunderstanding!"

GonzoKnows

But when it comes to being misunderstood for who you actually are... no one does it like Gonzo. Nobody knows what he is, and neither does he. And there is something so bittersweet and beautiful about his campfire song near the end of the movie after he's joined the gang of similar misfits. I mean, they're furry googley-eyed puppets for crying out loud!

And you guys know I am a crybaby. So of course Gonzo's raspy-crackly-voiced I'm Going To Go Back There Someday always gets me (I think I've caught my own crazy misfit brother sniffling at this one, too).

This looks familiar, vaguely familiar.
Almost unreal yet, it's too soon to feel yet.
I've never been there, but I know the way.
I'm going to go back there someday...

Part heaven, part space,
or have I found my place?
You can just visit, but I plan to stay.
I'm going to go back there someday.

Song (as most muppet ones are) by Kenny Ascher and Paul Williams.

This song might be a little obscure for you, it is during kind of a slow part of the movie. But surely you remember the image of Gonzo floating away with that bunch of balloons? Classic.

So now there is all this renewed muppet hoopla. In fact, I just discovered there is a whole blog for "muppet fans who grew up" with a countdown clock for the new movie (granted I think it's been around for ten years... the blog... not the countdown clock). But I've sort of kept my blinders on. I don't want to be disappointed. I think those songs, from Rainbow Connection to It's Not Easy Being Green and those characters have just become so part of my own misunderstood (or at least misunderstanding-phobic) soul...

that I just don't know if I can go back there someday.

Dec 6, 2010

The Piano Room

PianoRoom

FurElise

PianoPortrait

This is our Piano Room.

You have one, too. Or, at least your parents do.

It has lots of different names, and it doesn't even have to have a piano in it. It's that "other" room. Sometimes called a front room, a parlor, or even just a dining room. Like ours, it's typically full of your mom's best silver tarnishing in some hutch, a formal table of the sort that has a leaf in it, probably a few knick-knacks and definitely some family portraits.

Often, even if the rest of the house has been de-seasonalized, this room might retain accidental remnants of some holiday hall-decking. (Note the paint brush holder, top photo, piano left. Yeah, that's some sort of Christmas vase turned art supply receptacle. Mom also has a leftover Halloween portrait on one wall that looks like a gaudily-framed black and white photo of a little victorian girl. But then when you walk past it, she magically, i.e. holigraphically, has no skin and sprouts black veiny wings.)

If you think skinless girl is oddball, check out our sibling portrait. Yeah, that was a Walmart special, where you just walk up with your toddler and pay $4.95 or some ridiculously cheap sitting fee. So the girl running the "studio" that day had her hands full when a few years back the definitely non-toddlerish Kathleen, Donny and I strolled on up to get our portrait.

The hook is, that they take the shot and then you look at it digitally on a screen. Then you have to decide, "yes, that's the one we want to keep and order prints of" or you say, "nah, we can do better" and shoot a new one. But it's sort of like rolling the dice, because you can never go back to the previous shot.

Needless to say, we shot about, oh... like twenty-four poses to get the one we wanted. Kathleen looking properly sassy as if caught in the middle of a mildly surprised expression like "oh, you're taking my picture!?" Tara looking non-double-chinny (notice how I'm practically looking heavenward). Donny looking non-creepy. Well, two out of three weren't bad, so we finally decided this one was the keeper. We even ordered fridge magnets. Those cost extra.

But this post isn't about the portrait. It's about the Piano Room, which hasn't really been a piano room since we stopped playing the piano (okay, that was pretty much just only me who ever legitimately practiced) when I was fourteen years old.

So here is a list of all the multi-purposes our Piano Room has served over the years:

1. Two-Times-A-Year Formal Family Dinner Room: Basically Thanksgiving & Christmas in that order.

2. Halloween Staging Area: We have to sort the mad scientist lab and assemble our skeleton bride somewhere before we drag it in the front yard. Most likely explanation for how skinless girl got left behind as a year-long staple.

3. Shortcut From Kitchen To Bedroom Hallway: Especially handy when avoiding getting yelled at from Dad for walking in front of the family room TV during a football game, which is the other direct path to the bedrooms. Technically you could crawl under the family room TV, but that still makes him nervous, and then the cookies and chips you're stashing up your sleeve might fall out, and for sure the Coca-Cola you have literally balanced in the waistband of your pants might spill. We weren't allowed to eat in our bedrooms, so we got pretty Shawshank about sneaking our Oreos and Cheetoes.

4. Make-Out Room: Self-explanatory.

5. Puzzle Room: Puzzle Bitches of Greater OKC is what we call ourselves when we get on a jigsaw puzzle streak. It's been a while. We may have to reinstate PBGOKC this Christmas break.

6. Sing-Along Torture Room: Okay, another typically Christmas-time tradition. I pull out the sheet music of greatest hits from the 70's and 80's, bang out Fame on the old ivories and Kathleen and I belt out "we're gonna light up the sky with our names" at the top of our lungs. If you are not actually in the Piano Room, it doesn't matter. You will hear us. You will believe. The knick-knacks shaking, the old-time photos of our ancestors looking on side-by-side with the Walmart Studio Portrait versions of ourselves... they all agree. I mean, you know skinless girl believes. And in that moment, we know "we're gonna live forever."

And that's why you gots to have a Piano Room.


Aug 17, 2010

How Did This Blog Get So Sexy?

DonnyCabaret

After posting about Kathleen's crush, Alan Cumming, I had to dig up this photo of Donny. We dressed him up as the Alan-version-emcee from Cabaret one year.

Who made the suspender get-up? Our mom, of course.

HedwigPoster

But our obsession with the Emcee was replaced a year or so later by John Cameron Mitchell's star gender-bender rocker from the musical, Hedwig And The Angry Inch.

DonnyHedwig

So Kathleen and I broke out the stage makeup (again) to doll Donny up as Hedwig.

DressingDonny

Check out the eerie similarities in these two outfits.

Um. Perhaps abducting Donny as a baby and dragging him screaming into my bedroom where I would lock the door and dress him up, did screw him up after all.

DonnyDrag

My best friend, Jennifer, was a ballet major in college. We were roommates, and she would give me a lot of her castoff stage makeup. I still use it 'til this day. It was high-quality stuff, man. And it has graced the faces of my siblings, my children and actually probably a few of my coworkers. I'm sort of the go-to costume supplier for any occasion. I can't sew like my mom, but I curate my collection of wigs, fake mustaches, pirate eye-patches and fishnets very well.

Honestly, Donny has probably worn a lot less stage makeup now that he has gotten away from his sisters and is now solidly entrenched among legitimate stage-freaks at Coney Island.

Ah, but like the hair on Donny's head, we still have our memories.


Aug 14, 2010

Kind Of A Long Story: Kathleen Crush

ModernDayKathleen


My little sister Kathleen has been the object of her fair share of crushes. Certainly plenty of girl crushes. You know, like when you see a girl in the airport or getting coffee and she's got this effortless, scarfy, messy-hair, ballet-flat style? Those are the girls I want to be. Kathleen gets that, but she's never wearing anything quite as pedestrian as just a scarf and flats. She's got a little more edge to her outward persona, so to speak.


You can see other young women trying to casually give her the once-over without being detected. You can see their brains ticking. "Is she really wearing those tweed short-shorts with riding boots?" "Can I wear tweed shorts-shorts with riding boots?" "Yeah. No. I don't think so."


Sometimes if we're waiting in line somewhere I might see a little girl checking her out. They don't bother to be so inconspicuous. They just flat out stare at her. Consuming her with their eyes. Committing her to memory. Making a mental blueprint for their future selves, "short-shorts with riding boots, here I come."


One such time, the tables were a little turned, in that Kathleen was the one noticing this eight-year-old while we were waiting to board a plane (back to the airport here, but I find my people watching is uber-heightened in airports and on planes). This very put together little girl had on lots of layers – boots, black leggings, legwarmers, a short denim skirt and some sort of zip-up track jacket. Kathleen turned to me and said, "do I dress like an eight-year old?" because her outfit was identical. Kathleen was doing the staring this time, and the little girl finally flicked her eyes up at her and quickly back again as if to say, "what?... I know it."


KathleenChameleon


Kathleen is notorious for her changing hairstyles. Most of these photos are by Simon Hurst or David McNeese, two rockin' photographers we've worked with on advertising shoots. Kathleen always gets some "test shots" in before we actually start photographing the actual subjects.


Then there are the people that see Kathleen everyday. Her family. Her friends and coworkers. There are probably some solid crushes mixed in there, too (boy and girl). But we mostly find entertainment in just waiting to see what she's going to walk in wearing that day. If you follow her blog, you too can actually see what she's wearing today. You can even get a comprehensive breakout of all the components of one of her favorite outfits.


StraightCurlyKathleen


WhatKathleensWearing


From Kathleen's blog, Jeremy & Kathleen.


So now, anyone can have a crush on Kathleen if they want.


But let me tell you about Kathleen's ultimate crush.


I mean the person that she is most obsessed with. This is not a girl crush (you know, like Chloe Sevigny or SJP or Meryl Streep, even) this is a full-on boy crush. Although he is a bit androgynous. We get that from our mom. She always had crushes on girly-men celebs like Steven Tyler or David Bowie. When we were kids she would literally rewind that scene in Labrynth when Jennifer Connelly goes to the masquerade ball with David Bowie, and the lense is all foggy and it's all bubbly and dreamy and David Bowie is like this fairy king (uh... hello, Mom?)


More on our mom to come in the future, but for now, back to this crush.


Now, I could easily be referring to Brian Boitano here. That was Kathleen's first big-time celebrity crush when she was about seven years old. Remember the Olympic ice skater? But it's not rhinestone-studded-unitard-clad Brian I'm referring to here.


However, as a side note, once as adults Kathleen and I went to Celebrities on Ice when it came through on tour. I scored us some free tickets and as we sat in the crowd full of bow-headed tweens and their moms, we kind of stuck out like sore thumbs. Mostly because whenever Brian would skate by, like as he was building up speed for a big jump or russian-named arial trick – the triple-pembchenko, let's say (I just made that up) – the crowd would be hushed in silence, the roaring applause saved for the actual trick, but Kathleen would belt out this screeching "I loooove you Brian!" into the frosty dark anticipatory silence of the arena, and all the bow-heads and their moms' blonde bobs would turn in angry unison toward us.


It didn't really phase Kathleen, since I forgot to mention the other side effect of her "edgy" style, is that sometimes instead of getting jealous, curious, or admiring stares when we're in public, she sometimes get straight-out hateful, evil stares. From total strangers. Usually in the shopping mall. No joke.


KathleenSchoolTies


Beyond the Bow-Head. Kathleen at eight or nine years old. When she really first started to assert her style. On school picture day no less.


Back to the crush. You may or may not recognize the name of Kathleen's unrequited love, so it may be anticlimatic for you. But his name is Alan Cumming. I could actually hear Kathleen sighing somewhere by sheer telepathic instinct, as I typed his name. He plays a lot of strange characters. In mainstream movies he's probably best known for... hmmm... it's hard to say... that blue Nightcrawler guy from X-Men? (X-Men 2, actually). Or maybe as the demented children's TV show host on Spy Games?


But Kathleen first got her crush on him in her teens, when he played the slimy, weasley, uh... thwarted rapist... in Circle of Friends. You know, that Scottish movie when Minnie Driver was kind of chubby?


Then, in the later nineties, he got some big-time Broadway fame as the Emcee in the revival of Cabaret – our family's favorite, favorite, favorite, musical. We grew up watching movie musicals. And we especially loved ones that had a bit of cross-dressing, Cabaret, Victor/Victoria, Jesus Christ Superstar. What? Jesus wore a dress.


AlanCollage


Alan Cumming in Cabaret. Kathleen's favorite Alan Cumming movie, Anniversary Party co-starring Jennifer Jason Leigh. And, no, that is not Alan Cumming in the bottom right-hand corner. But I think Kathleen's preteen precursor to her lipstick-wearing Alan crush may have in fact been Pee Wee Herman. That is not an insult. My kids have recently been getting into Pee Wee Herman, so I've been watching him a lot lately, and he's kind of, I don't know... charismatic? Maybe this post should be about my weird celebrity crushes.


So a couple years after Cabaret, Alan (we'll just go first-name-basis here) was starring in Threepenny Opera on Broadway. It was a total bomb. But we were in New York City at the time, so we had to go see it. Especially since we had just barely by-the-skin-of-our-teeth missed Alan's Emmy-winning run in Cabaret. He had literally just left the role the month before we went to New York and Michael C. Hall was playing the emcee (you know, Dexter?) He was great, but he wasn't Alan. Which, in hindsight, was fortunate, or there probably would have been a panty throwing incident.


Okay, so we go see Threepenny Opera, which was also costarring Cyndi Lauper. It was cool and all, but the real goal was to wait at the stagedoor after the performance to see if we could catch a glimpse of Alan, and maybe even get an autograph or something. Well, since the show wasn't very popular, we were like the first people in line at the stagedoor. "Line" is a gracious word, since it was literally like four people, in addition to me, Donny, our mom, and Kathleen. Kathleen, who was a ball of anxious energy.


It was raining. It was dark. It was 11:45 at night, and we probably stood there for a good forty-five minutes. I think a few people even gave up and left. Kathleen was convinced that patience would persevere – that Alan was probably just doing lines of coke or something in his dressing room and we just had to wait it out.


So finally the stage door opens, a few people kind of trickle out and then all of sudden, there's Alan Cumming and Cyndi Lauper. Together. Like they were pals. 'Cause, you know, no one likes to do coke alone.


Alan had on a green zip-up American Apparel style track jacket, horn-rimmed glasses and a little mohawk. And Cyndy had the cutest cropped platinum blonde hair. And can I say? Her skin was flawless. She was adorable. And she was like, fifty. She looked thirty.


So Alan sort of shyly, awkwardly turns toward his... uh... six fans waiting at the line. He signs maybe a couple Playbills, and then gets to Kathleen.


This part is a blur. Mostly I remember chatting with Cyndi Lauper while Alan and Kathleen had their exchange of words. Kathleen's first husband, Travis (gasp!) Yes, there was a first husband, was actually the one talking up Cyndi, who thought it was so darling that Kathleen had this paralyzing crush on Alan. I mean, Cyndi was actually leaning on the line barrier with one elbow, her chin on her hand, casual-as-can-be admiring Alan and Kathleen, and sweetly waiting for her friend (who may or may not have been her "coke friend" ) to say his goodbyes to his stalker.


I pulled out my camera and got a great picture of them. As I raised it up to get the pic, I remember Alan saying he loved my bracelet (it was like a big bunch of stretchy fake pearl bracelets), and then that was that.


Oh. Except, then... he hugged Kathleen.


Oblivious to how momentus this was to my sister, Ms. Lauper and Mr. Cumming then smoothly stepped into their car and drove away in the drizzling rain. We then simply started walking down the street toward the subway station. Finally. And Kathleen cried all the way there. She was all red-faced, and shaky... and literally weeping.


AlanKathleenCyndi


Alan, Kathleen and Cyndi (miss-Lauper-if-you're-nasty). Kathleen's brain is literally about to explode. Look how she's all flushed and crazy-eyed.


This Broadway encounter was not our first, but I believe it was one of our last. Just because we never had the motivation to hang around a back alley again, plus our theatre-geek-out phase sort of tapered.


I did get Matthew Broderick to sign my Playbill in the stage door line after The Producers once. I asked him to sign it "Mr. Carrie Bradshaw." He just slowly looked up at me with his big brown mousy eyes (way up, the guy is petite to say the least) with the blankest of blank stares. I think I really pissed him off, but I was the only person he even acknowledged as he made his way scribbling autographs down the line (this was a true line) as frat-guy-types who probably visited the lobby bar one too many times, and were just there because their girlfriends or wives just had to see The Producers as it was all the rage from Manhattan, Kansas to actual Manhattan – kept stupidly hollering "hey Ferris!" from the back of the crowd.


Once we ran into Ben Vereen by sheer accident as he was stepping out of his show at the time, Fosse. We told him we grew up watching All That Jazz, and with a tip of his purple fedora (which matched his floor-lenght purple trenchcoat... and these were his real clothes, not his stage costume) he said to our mom "smart mom" and gave her a charming devilish wink.


Those were cool moments, sure.


But to Kathleen, none could compare to her close encounter with her eternal... crush.